October 23, 2009 — January 03, 2010

Responding to the rapid, often violent transformations of the twenty-first century, contemporary artists have displayed a growing desire to activate art’s documentary capacity: its ability to bear witness to events in the world. The Storyteller focuses on artists who use the story form as a means of comprehending and conveying political and social events. For them, the story functions neither as a purely imagined narrative nor as a piece of verifiable information. It is at once temporal and personal, public and communal, persisting through the listener’s interpretive process and through each subsequent retelling.

Working in video, photography, drawing, mixed media, and installation, the international group of artists in The Storyteller neither take the idea of documentary truth as an object of critique nor abandon fact for fabulation. Rather, they enable individuals—whether themselves, their subjects, or their audience—to construct the story of their unique participation in historical processes, thereby presenting these events in a new and unexpected light.

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Ryan Gander, <em>As Time Elapsed</em>, 2006 Jeremy Deller and Mike Figgis, <em>Battle at Orgreave</em>, 2002, Single-channel DVD video with color and sound, Courtesy of Artangel, London Joachim Koester, <em>The Kant Walks</em>, 2003, Seven Chromogenic prints, 18 1/2 x 23 1/2 in. each  Courtesy of Greene Naftali, New York and the Martin Z. Margulies Collection, Miami Mounir Fatmi,<em>Save Manhattan 02</em>, 2009, VHS tapes, glue, table, Dimensions variable Courtesy of the artist and Lombard-Freid Projects, New York

Salina Art Center programs, exhibitions and films are presented in part by the Kansas Arts Commission, a state agency, and by the National Endowment for the Arts, a federal agency which believes that a great nation deerves great art.